My approach is pragmatic tying abstract imagery, geometric lines and clean-cut shapes to balance the femininity and masculinity of process and print.
Through printmaking I exploit the redundancy of the matrix and explore the repetitiveness of making. My practice convergences reorder of material with revealing and veiling of surfaces through overlaying ink and the contradictions of formalism with sectioning of the shape.
There is a balance of making, collage, and structured form using the female approach to construct work that exhibits the banal of formalism, finds order in the layering textures and traces of patterns with a quiet minimalist approach.